Why Black Hawk Down is Ridley Scott’s most underrated piece

A forgotten masterpiece in the war genre.

Upon examining Ridley Scott’s range of work, he has successfully proven his ability to make films in any genre.

From science fiction in Alien to more heavy-handed drama in the recent All the Money in the World.

However, Ridley Scott’s 2001 war film Black Hawk Down captures the sheer intensity, as well as the heartfelt commodity of the brave men during the battle of Mogadishu. 

The story follows US marines who are sent to Somalia to bring aid over to the people. 

Their mission was to capture the war lord, however when two of their helicopters are gunned down by Somalian’s, the mission then turns into a 16 hour long blood shredded nightmare.

By 2001, a few years after Gladiator, Ridley Scott was mostly known for his work in the sci fi genre.

A master of pioneering large worlds with original concepts, as seen in Alien (1979) and Blade Runner (1982). He is considered a pure artist in the medium. This time around, he is aided with a cinematic icon in the action genre, Jerry Bruckheimer, who seems to always be attached to big studio productions such as Armageddon (1998) and The Rock (1996).

This film separates itself from those previous films because the spectacle isn’t the films main selling point.

It’s the courage of the soldiers. Having said this, all of the action sequences are incredibly well orchestrated.

From the choice of camera angles, the acting and even the sound design, which is what the film won the Oscar for.

However, it’s the emphasis on the soldiers ongoing struggle to be there for one another that seems to be the highlight of the whole picture. Jerry Bruckheimer who was the producer, adapted the core themes from the book written by Mark Bowden to the film, which focuses on the bravery of the men.

The execution of the story was handled perfectly. It’s the realism of the warfare that the film gets spot on.

The soundtrack, which is composed excellently by Hans Zimmer, reinforces this theme of bravery. In particular, the score “leave no man behind” is really the essence of the film. 

The use of acoustic instruments during the battle sequences resembles the Mogadishu environment, creating an impossibly realistic experience. 

You feel every bullet that flies past these soldiers and that’s all due to the excellent work by the editor, Pietro Scalia.

The film seems to have helmed quite a production crew behind the camera. With the likes of Jerry Bruckheimer, Simon West was added as an executive producer, he would later direct the action heavy Expendables 2 (2012).

Black Hawk Down Cast

However, the cast of the film is ever more impressive, with actors such as Ewan Mcgregor, Josh Hartnett, Eric Banner, Orlando Bloom, Tom Sizemore and most notably Sam Shepherd who adds subtle intensity to his performance.

Some of these actors were new to the genre, whilst others had plenty of experience such as Tom Sizemore who starred in the epic Saving Private Ryan.

The combination of both parties in and off the camera seemed to work very nicely.

At first glance, this may seem like a B war film as there is little substance but because the technical aspects are handled so perfectly, the film gets away with having little to no substance in the character department because we pretty much know nothing about these soldiers and maybe that’s the point.

When we consider other films that have failed in this department, films such as Act of Valour (2012) in which the acting kept the film at a sub-par quality despite its terrific action sequences and more recently Michael Bay’s 13 Hours (2016) which wasn’t bad but it contained more style than substance, resulting in pure Bay-hem.

Whereas Ridley Scott tackled the sheer chaos of the situation with no obvious cinematic style just realism.

Both Act of Valour and 13 Hours are driven towards the excitement of war spectacle but don’t quite deliver in other departments such as the character development and its over use of themes on patriotism.

Black Hawk Down strikes this tone perfectly and still manages to inject intensity in every frame.

I believe Black Hawk Down felt more realistic than those films. Ken Nolan was also added to write the screenplay, he would later write Transformers The Last Knight.

Ken Nolan’s approach to the story was to imagine this not being a true story and to think of the project as its own work, can this film work as a separate piece and how can we get the audience invested in the story alone detached from cultural and historical understanding and expectations.

Josh Black Hawk Down

It was that unique approach that made this film stand out and work.

In modern age, Peter Berg’s Lone Survivor closely resembles the thematic focus of Black Hawk Down. In lone Survivor, we constantly get the sense that these soldiers will refuse to back down and leave their Conrad’s behind.

Other war films such as Dunkirk have shown this but not to the extent of films such as Lone Survivor and Hacksaw Ridge as it is the films main thematic pull.

Black Hawk DownLone Survivor and Hacksaw Ridge are all fantastic war films that got the formula right.

It’s about putting the bravery of the men at the films heart, respecting the source material, then add the spectacle. If these are done right then the film will succeed.

In the field of Ridley Scott’s work, he has not directed many films in the war genre.

The films that closely resembles the genre are the films Body of Lies and GI JaneBlack Hawk Done is still different to both of these releases. however, he has directed war spectacles that are more historic representations such as Gladiator and Robin Hood.

In terms of gun warfare, he hasn’t explored this area as much.

A few years ago, Ridley Scott reflected on his directorial effort, 18 years since its release.

He said, ‘I hope I was right’. This highlights that at the time, he was fairly new to the genre and he hoped that he got the execution spot on.

I believe he did, the film could have been more political but he decided to take the military route, which I believe was more intense and gave a more well-rounded approach to the source material.

Black Hawk Down 4K

Purchase Here

A 4k version of the film was released recently. With this version, you get the 4K, Blu Ray and a bonus disc which explores behind the scenes of the film in all modes of production including production design, marketing, the historical context, audio commentaries, interviews and more.

Grabbing this version is a must for fans of the film.

The critical reception, although positive, doesn’t accurately reflect the quality of the film. It scored a 76% on Rotten Tomatoes which I hope can get higher in the coming years. 

However, the film won 2 Oscars and Ridley Scott received a nomination.

The film would gross 173 million dollars worldwide. The film is available on Amazon Prime and most streaming services other than Netflix.

To this day, it is one of my favorite war films. It still holds up and deserves a lot more attention.

I really believe this film got everything right, from the pre-production, source material and the overall execution.

If I had a grading scale, I would no doubt gives this 5 out of 5 stars.

10 years on: Netflix’s Battle Los Angeles

Has there been a lack of really good action science fiction alien invasion films over the last ten years?

In the post 2007 Transformers age, directors started to roll the dice on the big fun sci-fi flicks. This year marks the 10th anniversary of the alien invasion flick that critics hated, but is it time to re-visit the film?

Some say the film was the wanna be Black Hawk Down meets Independence Day, which in truth was what the director wanted. In my opinion, there are elements to enjoy in Battle Los Angeles, but the script is what lets the film down the most. Although, the film can be enjoyed from a visual perspective and it does come to down to expectation.

By 2011, new CGI technology was becoming the driving point in what audiences and fans of cinema wanted to see. Directors could create monsters, spaceships and robots like never before. The same year, we saw Harrison Ford and Daniel Craig team up for the surprisingly fun Cowboys and Aliens (2011) and Gareth Edwards worked on his minor miracle piece Monsters. Whilst Cowboys and Aliens (2011) proved to be a guilty pleasure, due its title and sense of charm, Battle Los Angeles on the other hand has flown completely under the radar and may be remembered for the film that could have been based of its promising trailers.

When the concept was first brought to the world of global advertising, audiences were impressed with the tense trailer, featuring The Dark Knight’s Aaron Eckhart and End of Watch’s Michael Pena. Aaron Eckhart is the bold spot throughout the film, he proves to be a competent war leader who can pull of drama very well, its a shame that some of his lines don’t always work.

The film is brought to us by Jonathan Liebesman, who will be directing the upcoming Halo TV series. Upon looking at this filmography, he loves big budget visual effects and its the visuals that seems to be his niche. His most notable directed film lately was 2014’s Teenage Mutant Ninja Turtles. The story is written by Christopher Bertolini who wrote The General’s Daughter with John Travolta back in 1999. He has yet to write a film since.

However, one of the main problems audiences had with the film was the overuse of shaky cam. The director was going for a hyper realistic take on what alien combat would look like. The end result may give some nausea.

You’re enjoyment of the film is all dependent on expectation. This concept was been done to death, but its all about the execution and the soundtrack by Brian Tyler adds to the experience. You can see all the plot points unfold like a ticking box, but you go for the overall experience. The sound of the bullets flying past the soldiers and the sacrifices they make is what the production crew care most about.

The hardest part of the film is hoping that a potential alien form wont resemble the species shown in the film, otherwise it would literally be the end of the world.

Some of the photo stills would be enough to get you excited. Take a look.

Each image has elements of tragedy, awe and spectacle. The cinematographer is Lukas Ettlin who worked on Transformers and The Lincoln Lawyer.

With all this said, how did the film do critically and financially?

With a budget of 70 million, the film grossed $211,819,354 worldwide. It turns out that audiences generally liked the concept. Despite Simon Mayo enjoying the film, most Critics, weren’t so friendly, with a rotten tomatoes score of 36%. Yet IGN were more favourable towards the flick and saw the film for what it was and what it was trying to do, giving the film a respectable 3 out of 5 stars.

A sequel has been rumoured but never confirmed. The film is available on Netflix and I do recommend it just for the cinematic experience.

Originally produced and written over at BacktotheMovies 🙂

Author Bio

Sam is a content writer. He loves all elements connected with film and writes with passion, always. You can find him on his Linkedin, where you will be able to read more articles. When he is not writing, you can find him practicing football

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