Re-watch: Total Recall (2012)

Are remakes becoming significantly unpopular and unremarkable?

The answer thus far has been a mixed bag. Let’s take the last 10 years of cinema, how many remakes have been good?

True Grit, The Departed, A Star is Born, Dredd, and more. Thereof course has been plenty of forgetful remakes, let’s look at the Total Recall remake in 2012.

The original did not need to be remade, however, Len Wiseman’s approach to the film is one to which I fully backed. Take a great story and make it serious, with a solid and modern visual look and feel to it.

A remake that most people have probably forgotten about, which is ironic considering the narrative of the film, but I would like to discuss why the film is frustrating because there is so much that is right with the film.

Len Wiseman who directed the fourth Die Hard film and the Underworld films was a good choice to direct the remake. He knows how to direct action and craft original sets. This time his niche is in science fiction and taking something that is already familiar to audiences. This isn’t the only time he has worked on a project that has an established fanbase. The fanbase of Die Hard is both large and loyal, there is always an expectation for a film like this.

He can make action set pieces work and stand out. Die Hard 4 had a selection of well-timed action sequences and if there was anything that could be altered about the original Total Recall (1990) it’s the aesthetics. The original had some practical effects that were great for there time but when you watch back, you may notice a few shots where the effects and sets don’t look as glamorous.

The original was goofy and some of the action scenes were played for comedic effect, the remake, however, drastically improved the visual look of the film and gave the action scenes a more modern and adrenaline-fueled kick with Kate Beckinsale and Jessica Biel fighting alongside the main action man Collin Farrell, who has a more everyday quality to him that I think Arnold didn’t have.

As soon as you see Arnold, you tend to think Commando, Terminator, Predator, those titles don’t exactly scream relatability. However, Arnold had a dominating screen presence that doesn’t quite compare to Collin and with that, something is missing from Total Recall (2012) but I think it comes to down expectations.

The original Total Recall was fun, however, I wouldn’t say I was a huge fan of it considering I didn’t grow up in the ’90s. It’s more of a cult film between 90’s audiences, critics did like the political and social satire from the works of Paul Verhoven, who previously directed Robocop (1987). He is a director that can do those themes very intelligently and turn them into a fun and explosive blockbuster with great humour.

The new Total Recall (2012) has amazing visuals. Take a look.

It really re-imagines the concepts from the first film and gives it a fresh new look and take. This is easily the best component of the film and makes me want to recommend the film to audiences and fans of science fiction action. With a budget this high, it was well spent.

It’s a shame that everything else didn’t quite land for me. The performances were good for the material they had. The fight scenes were all well shot and there was good stunt work. Although, the enemy troopers were terrible shooters, perhaps a nod to the troopers from Star Wars.

The film had a good selection of writers, including Mark Bomback who wrote Die Hard 4.0 and later writing the Apes films. Another director/writer pairing.

Collins Ferrell’s performance is similar to performances from actors such as Jeremy Renner from the Bourne films. Physically competent but never showing and peeling interesting layers of the character. There are a few nice scenes where he see a little from him, including a scene between him and a piano, where we begin to learn more about him and his past.

For a film that had such a low rotten tomatoes score, it’s rather baffling to see how amazing the visuals turned out to be. I know I am rambling on about how amazing the film looks, you have to see for yourself. Enjoy.

This clip showcases some cinema best visual work in years. Its cinema like this that really grabs my attention, a film is begged to be seen on the big screen. Although, Blade Runner 2049 is a far better film, the visuals in both are nearly equally impressive, I would say so, although many would argue 2049 is superior in terms of the cinematography and special effects.

The scene that gets me everytime is when Collin is looking out of his balcony, where we get a wide shot of the city in all its beautiful detail and imagery.

The use of real stunt work is evident, especially in the scene where Kate Beckinsale fights Collin Farrell in the early stages of the picture. The camera work never gets shaky and it’s all well shot.

I just didn’t take emotionally for the characters and story, Total Recall now exists as a forgetful remake but also just an unremarkable film, a water considering the talent behind the camera.

The question is whats next for Len Wiseman. A director who at one point was due to take over Die Hard 6 which fell apart. He is proposed to direct Ballerina with Ana De Armas. The plot is A young female assassin seeks revenge against the people who killed her family.

The film will be his first feature length picture since Total Recall, making it a 10 year absence from theatrical releases.

Total Recall is showing on Netflix UK

Author Bio

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Sam is a content writer. He loves all elements connected with film and writes with passion, always. You can find him on Linkedin, where you will be able to read more articles. When he is not writing, you can find him practicing football

Worth the Re-watch: Looper (2012)

Most audiences loved the film, but I have one minor issue with it.

One of Rian Johnson’s best films and one of 2012’s best sci-fi flicks has gained a good reputation over the last 9 years with both audiences and film critics. However, despite all the great aspects of the film, I had one issue with the film.

With a rotten tomatoes score of 93%, most would struggle to find many negative things to say about Looper. It was a breath of fresh air in filmmaking terms, something that audiences had never seen before. Originally made into a short film, Rian Johnson spent years developing and expanding the project into a full length narrative with fleshed ideas and concepts.

This may be a case where the film’s concept is better than the actual execution. The film’s concept is smart, slick, and original, however, I did not care about any of the characters, and in fact, I think the film did not want us to and if this is the case, then fair enough. I will explore this in more detail later on, but for now, I would like to discuss the positive aspects of the film to which there are plenty.

Rian Johnson and casting director Craig Fincannon, have chosen an array of talent that all do a strong job of selling their characters. Emily Blunt, Bruce Willis, Joseph Gordon Levitt, Paul Dano, and Jeff Daniels are working on a story that is unpredictable and involves to a large extent original world-building.

When we think about world-building, titans that come to mind are James Cameron, George Lucas, Michael Bay, Christopher Nolan, and more. Rian Johnson has excellently crafted a film with its own set of rules and language, which makes viewing it evermore exciting because you can really get immersed in this film because it’s so different and really going beyond what a lot of films do. Few have their own original universe.

The performances are fine-tuned to this concept, Gordon Levitt does a fine job of walking us through his job and explaining the basic rule settings of time travel. The film goes so fast that you don’t have time to catch up with the rationality of it all.

Upon countless rewatches of the film, the editing and cinematography are both infectious. The editing is most impressive, it’s stylized just at the point of cool but not ridiculous, unlike a Michael Bay or Zach Synder film. All of the technical elements of the film are almost flawless, including an interesting soundtrack by Nathan Johnson who is the brother of Rian.

The film looks amazing, with cinematographer Steve Yedlin working with Rain Johnson after Brick. He would later work with Rian on The Last Jedi and Knives Out.

The film is paced very well from start to finish, allowing the film to move fast and progress the narrative until its explosive climax, it provides a nice balance between exposition scenes and moments where we learn more about Gordon Levitt’s past, which is intertwined with Bruce Willi’s story and motives, but one huge piece is missing from is, which is the emotion.

It’s not like I didn’t like the characters in the film, in fact, I thought all of them were interesting in their own ways. Emily Blunt was a strong female lead, who is forced to make some hard choices in the film, never wanting to abandon her troubled son and certainly gives Gordon Levitt a good fight when he comes knocking at her door.

The only real moments of character development we get are the moments where Joseph Gordon Levitt is torn between two choices he has to make. Running away from his job and settling into a new environment, Bruce Willis has moments with his love interest who eventually gets taken away from him. The film deals with character conflict, but the emotional resonance was never as strong as I wanted it to be.

There is an element of tragedy in the film where the two characters are talking about their lives and how they’ve changed. Imagine talking to an older or a younger version of yourself in a diner, that would get quite intense and certainly interesting. You would probably spend hours just talking.

This is definitely the best Bruce Willis performance in a long time, he was perfectly cast and he came across as someone who had a lot of life experience and been through a lot, that’s a very hard act to play. The best scene is the diner scene, very well written dialogue between the two.

The film is intelligent, riddled with original ideas with fabulous themes, however, if I really cared about the characters, I wonder how much better the film would have been. It’s up there with some of cinema’s finest diner scenes including Pulp Fiction, Heat and more.

Going back to the point of the film lacking emotion, perhaps this film is made to be an observation of two complex lives of essentially one person, who’s time is spent flickering through the myths and wonderfully tragic yet complex nature of time travel in film and the reality it has over him. That’s probably the most relatable theme in the whole film, its the scenes between Willis and Levitt. Their scenes are rich in history and experience.

Although, time travel is complex, the film makes it fairly easy to follow, it’s only when you stop and think about it, the film may loose you. As I’ve said, the emotion never quite hit for me, I never deeply cared about anyone on screen but I was interested, deeply interested. Being interested and actually caring may be two different things.

Perhaps, if the film wanted to be more emotional it would have had to sacrifice or change the whole tone of the picture. For a film that is full of so many interesting ideas and themes, I really recommend watching Rian Johnson talk about it in interviews. Check it out below.

The interview above explains all of the film’s intentions really well, a great general summarization of whole picture in under 5 minutes. I would be interested in seeing a sequel, but that looks impossible considering Rian’s working on a new Knives Out sequel.

Whether you care about the characters or not, one thing is for sure is that you will get an action-packed ride with Looper. A film that will introduce new ideas and an original world.

Have you seen Looper?

Author Bio

This image has an empty alt attribute; its file name is p7160341.jpg

Sam is a content writer. He loves all elements connected with film and writes with passion, always. You can find him on Linkedin, where you will be able to read more articles. When he is not writing, you can find him practicing football

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